The Bowery Presents

The Bowery Ballroom upcoming shows

The Apples In Stereo

Generationals / Laminated Cat

Venue:
The Bowery Ballroom
Date:
Wed 4/21
Notes:
18+
Doors: 8:00 PM / Show: 9:00 PM
$15
Tickets
The Apples in stereo
official website
myspace
Studio-obsessed indie rockers The Apples in stereo are celebrating the start of a new decade with the release of their seventh studio album, Travellers in Space and Time, their most hi-fi and hook-laden production to date. Described by frontman Robert Schneider as 'retro-futuristic super-pop,' the album is the official follow-up to 2007's New Magnetic Wonder, and the band's second studio release for Elijah Wood's Simian Records. The album will be released on April 20 via Yep Roc/Simian/Elephant 6.

Travellers contains sixteen piano-driven tracks, bubbling over with vocoder harmonies and sci-fi sound effects, like 70's AM radio filtered through a UFO; including the robotic first single 'Dance Floor', the four-on-the-floor dream-scape 'Hey Elevator', the Hall and Oates-tinged 'Told You Once', and the epic, yearning 'Dream About The Future,' among many instant hits. The musical theme heard in these songs is strung throughout Travellers: intense pop hooks and electronic sounds, mixed with a pumping, get-up-and-moonwalk beat.

'I wanted to make a futuristic pop record, to reach out to the kids of the future,' Schneider relates. 'It is what I imagine their more highly-evolved pop might sound like: shiny soul music with robots and humans singing together, yet informed by the music of our time. So we are sending a pop music message through time, hoping they will decode it and be into it.'

It is the first studio album from The Apples in stereo to feature new drummer John Dufilho, lead singer of Dallas indie rockers The Deathray Davies; and sees Bill Doss (Olivia Tremor Control, Elephant 6) and John Ferguson (Ulysses, Big Fresh), longtime Schneider collaborators, as full-time keyboardists in the band, alongside veteran members John Hill (guitar) and Eric Allen (bass). Original drummer Hilarie Sidney left the band in 2006.

Anyone familiar with The Apples in stereo's career will know Schneider's ever-evolving production process is as intricate as the recordings he generates. Engaging the same primary engineering team used to record New Magnetic Wonder, most notably Bryce Goggin (Trout Recording's vintage recording wizard), as well as many studio-savvy friends and cohorts, the band spent well over a year in the studio recasting their signature pop sounds in chrome-plated futurism, all while adding a dance-driven vibe channeling ELO, Barry Gibb, Wild Honey-era Beach Boys and Off The Wall-era Michael Jackson.

With Travellers in Space and Time, Schneider continues experimenting with his recent invention, the Non-Pythagorean musical scale based on the logarithm, a mathematical function. Schneider is a passionate student of mathematics, and recently composed music based on prime numbers for a play written by world-class mathematician Andrew Granville, performed at the hallowed Institute for Advanced Study (home of Albert Einstein) in Princeton, New Jersey. Travellers includes 'C.P.U.,' the first pop song ever to incorporate this novel scale.

In addition, the album features songwriting contributions from all of the other Apples, including 'Wings Away' (Bill Doss/John Ferguson), 'Next Year At About The Same Time' (Eric Allen), 'No Vacation' (John Ferguson/Robert Schneider), 'Floating Away' (John Dufilho), and 'Dignified Dignitary' (Robert Schneider/Bill Doss/John Hill).

The 2007 hit album, New Magnetic Wonder, spawned late night performances on Conan and Colbert, commercial placements for The Apples' music (Pepsi, New Balance, Samsung, and numerous others), invitations to perform at many prestigious festivals and venues (All Tomorrows Parties, Pitchfork, Primavera Sound, R.E.M. Charity Tribute Concert at Carnegie Hall), and a world tour that took the band as far away as Taiwan - not to mention a polished performance of their hit song 'Energy' by the contestants on American Idol.

Since then, the band has been increasingly busy, gaining ownership of their spinART Records back catalog and readying the albums for re-release, compiling the best-of #1 Hits Explosion, and releasing Electronic Projects for Musicians, an album of rarities. Schneider also made his children's music debut with 2009's Robbert Bobbert and the Bubble Machine (Little Monster Records), which made it to many Year-End Best Of lists; made numerous mathematics convention appearances; released Buddha Electrostorm (Garden Gate Records), an album of lo-fi garage-psych recorded with his brother-in-law Craig Morris (who played and engineered on Travellers) under the name Thee American Revolution; and topped it all off with his featured keynote talk and Australian debut performance at the Big Sound Music Conference, where he was featured alongside many musical luminaries, including noted Brian Wilson collaborator (and one of Schneider's heroes), Van Dyke Parks... and all of this while hard at work on The Apples' most ambitious studio production yet.
Generationals
official website
myspace
Generationals is the collaboration of Ted Joyner and Grant Widmer. Following the breakup of their previous band the Eames Era, they returned home to New Orleans in 2008 to form Generationals and record their first record, Con Law.

They tapped the Oranges Band founder Daniel Black (the mind behind the Eames Era's swan song Heroes and Sheroes) to engineer and produce the record at his D.C.-based home-studio. Black recorded Con Law in the style of his heroes-George Martin, Phil Spector, Jeff Lynn and Quincy Jones-with a meticulous attention to detail and a willingness to make the recordings sound old. The result is one of those classic 'first record' moments that blissfully wills its listeners into repeat listens.

The sounds of Con Law were cobbled together from the far corners of the instrument room to form a cohesive group of songs written in straight-forward pop structures. Chiming 12-string electric guitars sit next to 8-bit sequencers, synth-bass and trumpet. Often the shakers, hand-claps and acoustic guitars sound like Paul Simon and Tom Petty, while another arrangement recalls Junior Walker and Booker T., all recorded to an old 24-track 2-inch tape machine that threatened to melt down several times.

Live, the Generationals can include as many as seven pieces with background singers, a trumpet, guitars, keys, bass and drums. And when the whole band is singing en masse on songs like 'Faces in the Dark' and 'When They Fight, They Fight,' ...shit sounds real good. You would want to be there when that happens. Park the Van Records returned to New Orleans in December of 2008, four years after the label was birthed in the same zip code. A chance meeting at the Mid-City Yacht Club (not what it sounds like) led to discussion about Park the Van's dearly missed the Teeth, the Spinto Band, Dr. Dog and the Grant and Ted's new band. A handoff of their 'just mastered' album led to an almost immediate signing with Park the Van. Generationals are the first New Orleans band signed to Park the Van. Con Law, their debut record, is available for your ears on July 21st, 2009 on Park the Van Records.
Laminated Cat
myspace
American Express — Are you a card member?

© 2010